List

In defiance of the brutal military government that took power in Uruguay in the 1970s, and under which homosexuality is a dangerous transgression, five women miraculously find one another—and, together, an isolated cape that they claim as their own.

Over the next thirty-five years, they travel back and forth from this secret sanctuary, sometimes together, sometimes in pairs, with lovers in tow or alone. Throughout it all, they will be tested repeatedly—by their families, lovers, society, and one another—as they fight to live authentic lives.

A groundbreaking, genre-defining work, Cantoras is a breathtaking portrait of queer love, community, forgotten history, and the strength of the human spirit.

Alex is a bruja and the most powerful witch in her family. But she's hated magic ever since it made her father disappear into thin air. So while most girls celebrate their Quinceañera, Alex prepares for her Deathday—the most important day in a bruja's life and her only opportunity to rid herself of magic.

But the curse she performs during the ceremony backfires, and her family vanishes, forcing Alex to absorb all of the magic from her family line. Left alone, Alex seeks help from Nova, a brujo with ambitions of his own.

To get her family back they must travel to Los Lagos, a land in-between, as dark as Limbo and as strange as Wonderland. And while she's there, what she discovers about herself, her powers, and her family, will change everything...

During the overthrow of the Mexican government, Beatriz’s father was executed and her home destroyed. When handsome Don Rodolfo Solórzano proposes, Beatriz ignores the rumors surrounding his first wife’s sudden demise, choosing instead to seize the security that his estate in the countryside provides. She will have her own home again, no matter the cost.
 
But Hacienda San Isidro is not the sanctuary she imagined.

When Rodolfo returns to work in the capital, visions and voices invade Beatriz’s sleep. The weight of invisible eyes follows her every move. Rodolfo’s sister, Juana, scoffs at Beatriz’s fears—but why does she refuse to enter the house at night? Why does the cook burn copal incense at the edge of the kitchen and mark the doorway with strange symbols? What really happened to the first Doña Solórzano?

Beatriz only knows two things for certain: Something is wrong with the hacienda. And no one there will save her.

Desperate for help, she clings to the young priest, Padre Andrés, as an ally. No ordinary priest, Andrés will have to rely on his skills as a witch to fight off the malevolent presence haunting the hacienda and protect the woman for whom he feels a powerful, forbidden attraction. But even he might not be enough to battle the darkness.

Far from a refuge, San Isidro may be Beatriz’s doom.

“Olivarez steps into the ‘inbetween’ standing between Mexico and America in these compelling, emotional poems. Written with humor and sincerity” (Newsweek).
 
Named a Best Book of the Year by Newsweek and NPR.
 
In this “devastating debut” (Publishers Weekly), poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in, with a unique voice that makes him a poet to watch.
 
“The son of Mexican immigrants, Olivarez celebrates his Mexican-American identity and examines how those two sides conflict in a striking collection of poems.” —USA Today

Talia is being held at a correctional facility for adolescent girls in the forested mountains of Colombia after committing an impulsive act of violence that may or may not have been warranted. She urgently needs to get out and get back home to Bogotá, where her father and a plane ticket to the United States are waiting for her. If she misses her flight, she might also miss her chance to finally be reunited with her family in the north.

How this family came to occupy two different countries, two different worlds, comes into focus like twists of a kaleidoscope. We see Talia’s parents, Mauro and Elena, fall in love in a market stall as teenagers against a backdrop of civil war and social unrest. We see them leave Bogotá with their firstborn, Karina, in pursuit of safety and opportunity in the United States on a temporary visa, and we see the births of two more children, Nando and Talia, on American soil. We witness the decisions and indecisions that lead to Mauro’s deportation and the family’s splintering—the costs they’ve all been living with ever since.

Award-winning, internationally acclaimed author Patricia Engel, herself a dual citizen and the daughter of Colombian immigrants, gives voice to all five family members as they navigate the particulars of their respective circumstances. And all the while, the metronome ticks: Will Talia make it to Bogotá in time? And if she does, can she bring herself to trade the solid facts of her father and life in Colombia for the distant vision of her mother and siblings in America?

Rich with Bogotá urban life, steeped in Andean myth, and tense with the daily reality of the undocumented in America, Infinite Country is the story of two countries and one mixed-status family—for whom every triumph is stitched with regret, and every dream pursued bears the weight of a dream deferred.

In this inspirational and unflinchingly honest memoir, acclaimed author Reyna Grande describes her childhood torn between the United States and Mexico, and shines a light on the experiences, fears, and hopes of those who choose to make the harrowing journey across the border.

Reyna Grande vividly brings to life her tumultuous early years in this “compelling...unvarnished, resonant” (BookPage) story of a childhood spent torn between two parents and two countries. As her parents make the dangerous trek across the Mexican border to “El Otro Lado” (The Other Side) in pursuit of the American dream, Reyna and her siblings are forced into the already overburdened household of their stern grandmother. When their mother at last returns, Reyna prepares for her own journey to “El Otro Lado” to live with the man who has haunted her imagination for years, her long-absent father.

Funny, heartbreaking, and lyrical, The Distance Between Us poignantly captures the confusion and contradictions of childhood, reminding us that the joys and sorrows we experience are imprinted on the heart forever, calling out to us of those places we first called home.

Also available in Spanish as La distancia entre nosotros.

Recommended by the New York Times and NBC News, and called one of the Best Books of the Year by Buzzfeed!

The New York Times directs readers to Retablos if you want to know "what's life really like on the Mexican border." "Solis grew up just a mile from the Rio Grande in El Paso, Texas, and he tells stories about his childhood and coming of age, including his parents migration to the United States from Mexico, his first encounter with racism and finding a Mexican migrant girl hiding in the cotton fields."—Concepción de León, New York Times

Seminal moments, rites of passage, crystalline vignettes—a memoir about growing up brown at the U.S./Mexico border.

More praise for Octavio Solis's Retablos:

"This is American and Mexican literature a stone's throw from the always hustling El Paso border."—Gary Soto, author of The Elements of San Joaquin

"We inhabit a border world rich in characters, lush with details, playful and poignant, a border that refutes the stereotypes and divisions smaller minds create. Solis reminds us that sometimes the most profound truths are best told with crafted fictions--and he is a master at it."--Julia Alvarez, author of How the García Girls Lost Their Accents

" . . . it's hard not to consider the border itself as a representation of a 'terrible rift,' a split between homes, communities, identities, generations. While reading this generous and eye-opening account, it's easy to see how, for the country at large, the rift has only deepened.”-- Arianna Rebolini, Buzzfeed Best Books of Fall 2018

"Landing somewhere between Neil Gaiman and Juan Rulfo, Solis secularizes the mythological by turning men and women into saintly figures—like their criada [maid], Consuelo, and a white priest who shows his family empathy—and monsters: border agents who take his friends away and school bullies."—Michael Adam Carroll, The Millions

"There has never been a border book like Retablos, a collection of smoldering epiphanies suffering the baptizing waters of recall. . . ."—Roberto Ontiveros, San Antonio Current

"The book is rendered in tight, stand-alone recollections rich with poetry and honesty. . . . If retablos are offerings, then Solis' book is a gift of memory, not always pleasant, but always true."—Beatriz Terrazas, Dallas Morning News

"The experience of reading his tightly contained memories in succession is a bit like drawing old coins up from a wishing well. Filtered through veils of distance and time, these scenes and reflections are wonderful and weird flashes of childhood, adolescence and early adulthood in the life of this particular Mexican American boy."-- Sophie Haigney, San Francisco Chronicle

"Octavio Solis' Retablos recounts a 'beautiful, messy' youth on the border. Though its title evokes Mexican folk art, Retablos is closer in effect to that of French pointillism. Its small dabs of vivid color produce a brilliant cumulative effect."—Steven G. Kellman, The Texas Observer

Destined to become a classic of self-invention and self-discovery--an inspiring gift for any new graduate.

The first Hispanic and third woman appointed to the United States Supreme Court, Sonia Sotomayor has become an instant American icon. Now, with a candor and intimacy never undertaken by a sitting Justice, she recounts her life from a Bronx housing project to the federal bench, a journey that offers an inspiring testament to her own extraordinary determination and the power of believing in oneself.

Here is the story of a precarious childhood, with an alcoholic father (who would die when she was nine) and a devoted but overburdened mother, and of the refuge a little girl took from the turmoil at home with her passionately spirited paternal grandmother. But it was when she was diagnosed with juvenile diabetes that the precocious Sonia recognized she must ultimately depend on herself. She would learn to give herself the insulin shots she needed to survive and soon imagined a path to a different life. With only television characters for her professional role models, and little understanding of what was involved, she determined to become a lawyer, a dream that would sustain her on an unlikely course, from valedictorian of her high school class to the highest honors at Princeton, Yale Law School, the New York County District Attorney's office, private practice, and appointment to the Federal District Court before the age of forty. Along the way we see how she was shaped by her invaluable mentors, a failed marriage, and the modern version of extended family she has created from cherished friends and their children. Through her still-astonished eyes, America's infinite possibilities are envisioned anew in this warm and honest book.

A daughter’s quest to understand her charismatic and troubled father, an immigrant who crosses borders both real and illusory—between sanity and madness, science and spirituality, life and death

Winner of the PEN/FUSION Emerging Writers Prize • “Expressive and affecting . . . deeply researched and tightly written . . . Crux, at its heart, is [Jean] Guerrero’s love letter to her dad.”—NPR

Throughout Jean Guerrero’s childhood, her father, Marco Antonio, was an erratic and elusive presence. A self-taught genius at fixing, creating, and conjuring things—and capable of transforming himself into a shaman, dreamcaster, or animal whisperer in his enchanted daughter’s eyes—he gradually began to lose himself in his peculiar obsessions, careening wildly between reality and hallucination. In time, he fled his family and responsibilities—to Asia, Europe, and eventually back to Mexico. He succumbed to drug- and alcohol-fueled manias, while suffering the effects of what he said were CIA mind-control experiments. As soon as she was old enough, Jean set out after him. Now a journalist, she used the tools of her trade, hoping to find answers to the questions he left behind.

In this lyrical, haunting memoir, Jean Guerrero tries to locate the border between truth and fantasy as she searches for explanations for her father’s behavior. Refusing to accept an alleged schizophrenia diagnosis at face value, she takes Marco Antonio’s dark paranoia seriously and investigates all his wildest claims. She crisscrosses the Mexican-American border to unearth the stories of cousins and grandparents and discovers a chain of fabulists and mystics in her lineage, going back to her great-great-grandmother, a clairvoyant curandera who was paid to summon spirits from the afterlife. As she delves deeper and deeper into her family’s shadowy past, Jean begins mirroring her father’s self-destructive behavior. She risks death on her adventures, imperiling everything in her journey to redeem her father from the underworld of his delusions.

In the tradition of engrossing family memoirs like The Liar’s Club and The Glass Castle, Crux is both a riveting adventure story and a profoundly original exploration of the human psyche, the mysteries of our most intimate relationships—and ourselves.

“[Guerrero] writes poetically about borders as a metaphor for the boundary of identity between father and daughter and the porous connective tissues that bind them.”—The National Book Review

“A rich and moving chronicle for our very present.” —Julio Ortega, New York Times Book Review

The United States is still typically conceived of as an offshoot of England, with our history unfolding east to west beginning with the first English settlers in Jamestown. This view overlooks the significance of America’s Hispanic past. With the profile of the United States increasingly Hispanic, the importance of recovering the Hispanic dimension to our national story has never been greater.

This absorbing narrative begins with the explorers and conquistadores who planted Spain’s first colonies in Puerto Rico, Florida, and the Southwest. Missionaries and rancheros carry Spain’s expansive impulse into the late eighteenth century, settling California, mapping the American interior to the Rockies, and charting the Pacific coast. During the nineteenth century Anglo-America expands west under the banner of “Manifest Destiny” and consolidates control through war with Mexico. In the Hispanic resurgence that follows, it is the peoples of Latin America who overspread the continent, from the Hispanic heartland in the West to major cities such as Chicago, Miami, New York, and Boston. The United States clearly has a Hispanic present and future.

And here is its Hispanic past, presented with characteristic insight and wit by one of our greatest historians.

NAMED A TOP 10 BOOK OF 2018 BY NPR and THE WASHINGTON POST
SHORTLISTED FOR THE ANDREW CARNEGIE MEDAL OF EXCELLENCE

The instant New York Times bestseller, "A must-read for anyone who thinks 'build a wall' is the answer to anything." --Esquire

For Francisco Cantú, the border is in the blood: his mother, a park ranger and daughter of a Mexican immigrant, raised him in the scrublands of the Southwest. Driven to understand the hard realities of the landscape he loves, Cantú joins the Border Patrol. He and his partners learn to track other humans under blistering sun and through frigid nights. They haul in the dead and deliver to detention those they find alive. Plagued by a growing awareness of his complicity in a dehumanizing enterprise, he abandons the Patrol for civilian life. But when an immigrant friend travels to Mexico to visit his dying mother and does not return, Cantú discovers that the border has migrated with him, and now he must know the full extent of the violence it wreaks, on both sides of the line.

Perfect for fans of Fresh Off the Boat’s situational humor and Jane the Virgin’s celebration of Latinidad, Definitely Hispanic is a collection of introspective memoiristic essays by social media influencer and viral phenomenon LeJuan James about growing up Hispanic in the US.

LeJuan James loves being Hispanic. But growing up in the United States to immigrant parents, he quickly noticed that their house rules and traditions didn’t always match up with his friends’. The result was a lifetime of laugh-out-loud relatable content for his videos. After half a decade of reenacting his experiences online, LeJuan is taking a closer look at everything he loves about his family’s culture.

Definitely Hispanic is a collection of heartfelt memoiristic essays that explores the themes LeJuan touches upon in his videos and celebrates the values and traditions being kept alive by Hispanic parents raising US–born children. He shares anecdotes about discovering the differences between his and his friends’ households, demystifies “La Pela” (the Spanking), explains the vital role women play in Hispanic families, and pays reverence to universal cultural truths like food is love and music is in Hispanics’ DNA.

From #Home, where he talks about how his family moved back and forth between the United States and Puerto Rico until settling in Orlando, FL, to #TheHouse, when he was finally able to buy his parents the home they deserve thanks to his online success; this wide-ranging collection of essays will resonate with fans of all ages who feel like they straddle the line between two (or more) cultures, languages, and/or identities.

An astonishing story that puts a human face on the ongoing debate about immigration reform in the United States, now updated with a new Epilogue and Afterword, photos of Enrique and his family, an author interview, and more—the definitive edition of a classic of contemporary America

Based on the Los Angeles Times newspaper series that won two Pulitzer Prizes, one for feature writing and another for feature photography, this page-turner about the power of family is a popular text in classrooms and a touchstone for communities across the country to engage in meaningful discussions about this essential American subject.

Enrique's Journey recounts the unforgettable quest of a Honduran boy looking for his mother, eleven years after she is forced to leave her starving family to find work in the United States. Braving unimaginable peril, often clinging to the sides and tops of freight trains, Enrique travels through hostile worlds full of thugs, bandits, and corrupt cops. But he pushes forward, relying on his wit, courage, hope, and the kindness of strangers. As Isabel Allende writes: “This is a twenty-first-century Odyssey. If you are going to read only one nonfiction book this year, it has to be this one.”

An NPR Best Book of the Year

A 2020 International Latino Book Award Finalists

An Entertainment Weekly, The Millions, and LitHub Most Anticipated Book of the Year 

This unforgettable memoir from a prize-winning poet about growing up undocumented in the United States recounts the sorrows and joys of a family torn apart by draconian policies and chronicles one young man’s attempt to build a future in a nation that denies his existence.

“You were not a ghost even though an entire country was scared of you. No one in this story was a ghost. This was not a story.”

When Marcelo Hernandez Castillo was five years old and his family was preparing to cross the border between Mexico and the United States, he suffered temporary, stress-induced blindness. Castillo regained his vision, but quickly understood that he had to move into a threshold of invisibility before settling in California with his parents and siblings. Thus began a new life of hiding in plain sight and of paying extraordinarily careful attention at all times for fear of being truly seen. Before Castillo was one of the most celebrated poets of a generation, he was a boy who perfected his English in the hopes that he might never seem extraordinary.

With beauty, grace, and honesty, Castillo recounts his and his family’s encounters with a system that treats them as criminals for seeking safe, ordinary lives. He writes of the Sunday afternoon when he opened the door to an ICE officer who had one hand on his holster, of the hours he spent making a fake social security card so that he could work to support his family, of his father’s deportation and the decade that he spent waiting to return to his wife and children only to be denied reentry, and of his mother’s heartbreaking decision to leave her children and grandchildren so that she could be reunited with her estranged husband and retire from a life of hard labor.

Children of the Land distills the trauma of displacement, illuminates the human lives behind the headlines and serves as a stunning meditation on what it means to be a man and a citizen.

American Book Award Winner: A “moving, intimate” account of serving as a translator for undocumented children facing deportation (The New York Times Book Review).
 
Nonfiction Finalist for the Kirkus Prize
Finalist for National Book Critics Circle Award for Criticism
 
Structured around the forty questions volunteer worker Valeria Luiselli translates from a court system form and asks undocumented Latin American children facing deportation, Tell Me How It Ends humanizes these young migrants and highlights the contradiction between the idea of America as a fiction for immigrants and the reality of racism and fear—here and back home.
 
“Luiselli’s prose is always lush and astute, but this long essay, which borrows its framework from questions on the cold, bureaucratic work sheets with which she became so familiar (for example, ‘Did anything happen on your trip to the U.S. that scared or hurt you?’), is teeming with urgency…In this slim volume about the spectacular failure of the American Dream, she tells the stories of the unnamed children she’s encountered and their fears and desires, as well as her own family’s immigration story.” —Vulture
 
“Worthy of inclusion in a great American (and international) canon of writing about migration.” –Texas Observer
 
“A powerful indictment of American immigration policy, [Tell Me How It Ends] examines a system that has failed child refugees in particular.” —Financial Times
 
“Masterfully blends journalism, auto/biography, and political history into a compelling and cohesive narrative. . . . Luiselli uses the personal to get political but smartly sidesteps identity politics to focus on policy instead.”—The Rumpus

National Book Award Finalist!
Instant New York Times Bestseller!

The Absolutely True Diary of a Part-Time Indian meets Jane the Virgin in this poignant but often laugh-out-loud funny contemporary YA about losing a sister and finding yourself amid the pressures, expectations, and stereotypes of growing up in a Mexican American home.

Perfect Mexican daughters do not go away to college. And they do not move out of their parents' house after high school graduation. Perfect Mexican daughters never abandon their family.

But Julia is not your perfect Mexican daughter. That was Olga's role.

Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed.

But it's not long before Julia discovers that Olga might not have been as perfect as everyone thought. With the help of her best friend, Lorena, and her first love (first everything), Connor, Julia is determined to find out. Was Olga really what she seemed? Or was there more to her sister's story? And either way, how can Julia even attempt to live up to a seemingly impossible ideal?

"Illuminate[s] the lives behind the current debates about Latino immigration." —The New York Times Book Review

When fifteen-year-old Maribel Rivera sustains a terrible injury, the Riveras leave behind a comfortable life in Mexico and risk everything to come to the United States so that Maribel can have the care she needs. Once they arrive, it’s not long before Maribel attracts the attention of Mayor Toro, the son of one of their new neighbors, who sees a kindred spirit in this beautiful, damaged outsider. Their love story sets in motion events that will have profound repercussions for everyone involved. Here Henríquez seamlessly interweaves the story of these star-crossed lovers, and of the Rivera and Toro families, with the testimonials of men and women who have come to the United States from all over Latin America. The Book of Unknown Americans is a stunning novel of hopes and dreams, guilt and love—a book that offers a resonant new definition of what it means to be American. 

Named a New York Times and Washington Post Notable Book, an NPR Great Read, The Daily Beast's Novel of the Year, and a Mother Jones, Oprah.com, School Library Journal, and BookPage Best Book of the Year

A collectible hardcover edition of Julia Alvarez's modern Latinx classic about four sisters known as Las Mariposas, or the Butterflies, who fought to liberate the Dominican Republic from Rafael Trujillo's dictatorship, featuring a new foreword by Maxine Hong Kingston

A Penguin Vitae Edition

It is November 25, 1960, and three sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. The official state newspaper reports their deaths as accidental. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of the dictatorship of General Rafael Leónidas Trujillo. It doesn't have to. Everybody knows of Las Mariposas--the Butterflies.

In this extraordinary novel, the voices of all four sisters--Minerva, Patria, María Teresa, and the survivor, Dedé--speak across the decades to tell their own stories, from secret crushes to gunrunning, and to describe the everyday horrors of life under Trujillo's rule. Through the art and magic of Julia Alvarez's storytelling, the martyred Butterflies live again in this novel of courage, love, and the human cost of political oppression.

Penguin Vitae--loosely translated as "Penguin of one's life"--is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

From a Pulitzer Prize finalist, "the single most compelling, lucid, and lyrical contemporary account of the absurdity of U.S. border policy" (The Atlantic).

In May 2001, a group of men attempted to cross the Mexican border into the desert of southern Arizona, through the deadliest region of the continent, the "Devil's Highway." Three years later, Luis Alberto Urrea wrote about what happened to them. The result was a national bestseller, a Pulitzer Prize finalist, a "book of the year" in multiple newspapers, and a work proclaimed as a modern American classic.

In present-day Miami, Jeanette is battling addiction. Daughter of Carmen, a Cuban immigrant, she is determined to learn more about her family history from her reticent mother and makes the snap decision to take in the daughter of a neighbor detained by ICE. Carmen, still wrestling with the trauma of displacement, must process her difficult relationship with her own mother while trying to raise a wayward Jeanette. Steadfast in her quest for understanding, Jeanette travels to Cuba to see her grandmother and reckon with secrets from the past destined to erupt.

From 19th-century cigar factories to present-day detention centers, from Cuba to Mexico, Gabriela Garcia's Of Women and Salt is a kaleidoscopic portrait of betrayals—personal and political, self-inflicted and those done by others—that have shaped the lives of these extraordinary women. A haunting meditation on the choices of mothers, the legacy of the memories they carry, and the tenacity of women who choose to tell their stories despite those who wish to silence them, this is more than a diaspora story; it is a story of America’s most tangled, honest, human roots.